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In film-industry jargon, the shortened form, 'Scope, is still widely used by both filmmakers and projectionists, although today it generally refers to any 2.35:1, 2.39:1, or 2.40:1 presentation or, sometimes, the use of anamorphic lensing or projection in particular. Although the CinemaScope lens system was made obsolete by new technological developments, primarily advanced by Panavision, the CinemaScope anamorphic format has continued to this day. The anamorphic lenses theoretically allowed the process to create an image of up to a 2.66:1 aspect ratio, almost twice as wide as the previously common Academy format's 1.37:1 ratio. Drama, comedy, animation, reality - we've done it all. We are home to production companies making top-rated shows about everything from home renovation to bizarre foods to great out-of-the-way places to dine throughout the world.
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Its creation in 1953, by the president of 20th Century-Fox, marked the beginning of the modern anamorphic format in both principal photography and movie projection. Minnesota has an exceptionally large and highly-acclaimed television production industry.
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I believe that films may not be able to change society, but they can inspire the people who can create a change.Freebase (0.00 / 0 votes) Rate this definition:ĬinemaScope was an anamorphic lens series used for shooting wide screen movies from 1953 to 1967. Barbara Eden plays the role of Miss Carstairs the blonde secretary for Rock Hunter (played by Tony Randall).This was the 1st movie role for Barbara Eden for 20Th Century Fox studios.This was also the 1st of 3 movies Barbara Eden would co star with Tony Randall.The story of Will Sucess Spoil Rock Hunter was about a young ad executive named Rockwell P Hunter who they called Rock Hunter and how. Cinescope Films Revenue: 432000 Employees: 2 Industry: Film/Video Production & Services, Broadcasting, Media & Internet View Cinescope Filmss full company profile > Rocketreach finds email, phone & social media for 450M+ professionals.
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It is only by being free to make and learn from mistakes that humans can continue to evolve. My film offers a vision of a near-future world in which our digital dependency threatens to make us all less human.Īnd once a technology has insinuated itself into our lives without restrictions or oversight, it can become nearly impossible to tear ourselves free again.īy relying too heavily on algorithms, humans stand to lose their ability to understand each other or develop solutions for society’s problems. The explosive growth of the online world has changed not just our lifestyle, but also the way we relate to each other and perceive the world around us. CAPIO is a science fiction feature film about how our society’s unconditional love of technology leaves us vulnerable to political and economical manipulation and loss of privacy and freedom. His current project, feature film “ Capio” (now in post-production) is a science fiction drama that also offers a sharp social commentary on the impact of the unprecedented infiltration of technology into our daily lives, and the extent to which it may be undermining our capacity to perceive and interact with the world and people around us.Īleksandar has also produced hundreds of commercial projects for television and the web through his company, Kostic Films, LLC.Īs a filmmaker, I feel like it is my duty to confront the challenges that surround us.
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His work has received several awards and been screened in diverse venues internationally, including the PÖFF Tallinn Black Nights Film Festival, Museum of the Moving Image with Queens World Film Festival, MaerzMusik Festival in Berlin, Anthology archive NYC, Big Apple Film Festival, the Balkan New Film Festival in Sweden, and others. He was also the cinematographer for the feature film “Allure”, and his camerawork for this feature was singled out for praise by the New York Times, LA Times, Hollywood Reporter and others.Īleksandar’s work also includes documentary cinematography for many prominent people, from Javier Perez de Cuellar, a former Secretary-General of the United Nations, to Hilly Kristal, the owner of the legendary CBGB club in New York City. In film-industry jargon, the shortened form, 'Scope, is still widely used by. He has directed and produced numerous projects in the last ten years, with work that spans and blurs the lines between genres such as experimental film, video installation art, live performance, documentary and narrative film.Īleksandar’s films draw upon his strong cinematic vision, distinctive camerawork, and close collaboration with diverse artists and performers such as Joan La Barbara, Morton Subotnick, and others. Definition of CinemaScope in the dictionary. Aleksandar Kostic is a film director, cinematographer and producer based in New York City.
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